Jarhead
Has there ever been a time when you put so much
effort and work into something, hoping for that big payoff, only to be totally
disappointed when that big payoff turns out to be nothing? If you have then
you'll understand what I felt after sitting through director Sam Mendes
(American Beauty, Road to Perdition) latest film, Jarhead.
Jarhead Movie Review
Based on the former marine Anthony Swofford's best
selling book, Jarhead follows Swofford's experiences from rebel
slacker in boot camp through his time spent as an elite sniper during the
Gulf War. It's hard to look at this film and not think of Full Metal
Jacket. Both films share similar stereotyped characters (the loud mouth
drill sergeant, the innocent boy hardened by the effects of war), which
shouldn't be a knock against Jarhead. These types of films have
been done way too often for there not to be similarities between them. I'm
pretty sure Sam Mendes realized this because while Full Metal Jacket
has a very serious feel to it, Jarhead revels in dark humor. This
film is by no means an all out comedy, but there are situations in this
film that you can't help but laugh at and that is one of Jarhead's
biggest strengths.
One thing that has always amazed me about Sam Mendes is that he has stayed
away from giving his films a signature look and feel. From the clean colorful
filled world of America Beauty, to the dark brooding world of Road
to Perdition, each film has its own unique look and feel and Jarhead
is no different. Shot in the deserts of California, Mendes and cinematographer
Roger Deakins (The Shawshank Redemption, Fargo, A
Beautiful Mind) use the desert landscape to create a barren landscape
that makes each characters experience a very lonely one. The sand is always
blowing and the scenery is very dull and distant which is important to having
a sense of what the characters were experiencing and the factors that lead
to their eventual meltdowns. Also, by giving Jarhead the look and
feel of watching a documentary, the characters and situations feel real.

Jake Gyllenhaal in Jarhead
By trying to give Jarhead a documentary
type feel, the individuality of the characters is lost and we're left with
nothing but a one dimensional stereotype of soldiers we see time and time
again in these types of films. Mendes and screenwriter William Broyles Jr.
(Cast Away, Apollo 13) fail to make us care about any
of these characters because we know nothing about them other than their
stereotypes (the loud mouth Texan, the crazy guy, the hard nose staff sergeant,
the scared geek, the lifetime soldier). Odds are this was done intentionally
to create some type of "symbolism" to show that this could be any soldier
in the Marines, which is a neat idea, but audiences need to find some connection
with the characters. Even the main character Swoff (Gyllenhaal) is given
next to no back-story (other than a short series of exposition that reveals
very little) and because of that he comes off as a very unlikable character
at times, which kills the audiences emotional attachment to the story.
One of the strengths of the book was Swofford's sarcastic take on key events throughout the story and I don't think Mendes agreed with that, because he kept Swafford's voice to a minimum throughout the film. When he does allow the voiceovers to guide you through the story, they easily become some of the best moments in the film.
Jarhead has all the makings of a heavyweight Oscar contender, but
one key missing ingredient leaves the film feeling hollow. Great dark humor,
excellent visuals, tense pacing and a ironic subplot that pays off (or doesn't
depending on your sense of humor) in the end are all pieces that will make
this film a popular war flick, but the lack of any emotional attachment
to the characters prevents jarhead from joining the list of all time classic
war films like Full Metal Jacket and Apocalypse Now.
Score:     
|